180 Days With Mozart And Me

A Survey Of The Philips Complete Mozart Edition…From Symphonies Through Theatre And Ballet Music

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Entries Tagged as 'Marcia Davenport'

Of Small Thoughts and Whole Lives (Piano Music, Box 9)

March 15th, 2010 · No Comments · Allegro in B flat, Allegro in C, Allegro in F, Allegro in G minor, Andante in C, Box 9: Piano Music, Capriccio in C, Fugue in G minor, Harpsichord, How small a thought it takes to fill a whole life!, K1/1e, K1a, K1b, K1c, K1d, K1f, K2, K3, K312, K33B, K394, K395, K399, K4, K400, K401, K408 No 1, K453a, K460, K5, K5a, K94, Kleiner Trauermarsch in C minor, Ludwig Wittgenstein, March in C, Marcia Davenport, Minuet in C, Minuet in D, Minuet in F, Minuet in G, Movement in F, Mozart at 10, Mozart at 13, Mozart at 14, Mozart at 21, Mozart at 26, Mozart at 27, Mozart at 28, Mozart at 34, Mozart at 35, Mozart at 5, Mozart at 6, Mozart at 8, Prelude & Fugue in C, Rabbit hole, Steve Reich, Strangeness of the Ordinary, Suite in C, Theme & 2 Variations in A, Tini Mathot, Ton Koopman, Tractatus Logico-Philosophicus

I’ve always wondered what music composed by a five year old sounds like. Now I know. Mozart was five when he composed some of the music on this CD. In other words, a few of the selections today start at K1. K1! All of the music on this CD was composed for and played by […]

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Of Gilligan’s Island and Mozart’s Vienna (String Quartets, String Quintets, Box 7)

February 23rd, 2010 · No Comments · Arthur Grumiaux, Box 7: String Quartets String Quintets, Gilligan's Island, K515, K516, Marcia Davenport, Mary Ann and Ginger, Mozart at 31, String Quintet No 2 in C, String Quintet No 3 in G minor, Vienna (April 19 1787), Vienna (May 16 1787)

This CD is a lot of fun. It hooked me from the first few bars of the opening movement (Allegro) of String Quintet No. 2 in C, K515 (one of the finest pieces of music I’ve yet heard), to the final, glorious notes of String Quintet No. 3 in G minor, K516 – especially the […]

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Of Attentitive Food Sellers and Pristine Live Recordings (Piano Concertos, Box 4)

January 26th, 2010 · No Comments · Academy of St Martin-in-the-Fields, Alfred Brendel, Arthur Rubinstein, Box 4: Piano Concertos, Chopin, Conrad Wilson, K491, K503, Live Recording, Marcia Davenport, Maynard Solomon, Mozart at 30, Mozart: A Life, Notes on Mozart, Panera Bread, Piano Concerto No. 24 in C minor, Piano Concerto No. 25 in C, Saddest Key of All, Sir Neville Marriner, Vienna (December 4 1786), Vienna (March 24 1786)

Even though the first of today’s musical selections (Piano Concerto No. 24 in C) is in a minor key – thankfully not D minor, the saddest key of all – it is not ponderous or heavy. It does not drag on my mind, even though it does have a full, meaty sound – like Chopin […]

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Of Light Movies and Lively Music (Piano Concertos, Box 4)

January 23rd, 2010 · No Comments · Academy of St Martin-in-the-Fields, Alfred Brendel, Box 4: Piano Concertos, Jimmy Page, K456, K459, Marcia Davenport, Mozart at 28, Piano Concert No. 19 in F, Piano Concerto No. 18 in B flat, Sir Neville Marriner, Sostenuto (defined), Vienna (December 11 1784), Vienna (September 30 1784), Vivace (defined), Yngwie Malmsteen

Ahh, now this is more like it. These compositions grabbed me right from the start, from the first three minutes. If Piano Concerto No. 18 in B flat were a heavy-metal song, Alfred Brendel’s piano work would have to be performed by a guitarist insanely fleet-fingered and flamboyant like Yngwie Malmsteen. Or perhaps Led Zeppelin’s […]

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Of Raw Oysters and Happy Haffners (Serenades and Dances, Box 2)

December 28th, 2009 · No Comments · Academy of St Martin-in-the-Fields, Andantino (definition), Assai (definition), Box 2: Serenades Dances Marches, Conrad Wilson, K249, K250/248/b "Haffner", March in D, Marcia Davenport, Minuet (definition), Molto (definition), Mozart at 20, Notes on Mozart, Salzburg (July 20 1776), Salzburg (June 1776), Serenade in D, Sir Neville Marriner

Mozart was 20 when he wrote one of his most famous serenades, Serenade in D, K250/248b, also known as “Haffner,” for the Haffner family for whom he composed it. The “Haffner” Serenade is exquisite, rich, textured, melodic, triumphant, and just plain pretty. From the book Mozart by Marcia Davenport, comes this background on the “Haffner” […]

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