180 Days With Mozart And Me

A Survey Of The Philips Complete Mozart Edition…From Symphonies Through Theatre And Ballet Music

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Entries Tagged as 'Yvonne Minton'

Of Anticipated Saturdays and Underappreciated Operas (Box 15, Late Italian Operas)

May 22nd, 2010 · No Comments · Annio, Box 15: Late Italian Operas, Charles Taylor, Frederica von Stade, Frederick Lowe, Ian Herbert, Janet Baker, John Constable, K621, K621 (Part I), La clemenza di Tito, Lucia Popp, Mozart at 35, Orchestra & Chorus of the Royal Opera House Covent Garden, Prague (September 4 1791), Publio, Robert Lloyd, Robin Stapleton, Servilia, Sesto, Sir Colin Davis, Stuart Burrows, Tito Vespaisano, Vitellia, Yvonne Minton

Today’s opera is La clemenza di Tio, K621, written by Mozart when he was 35, just a couple of months before his death. The Overture is compelling. It sets the stage nicely. But what follows doesn’t match the standard set in the Overture. This is a typical opera. Nothing fancy. Nothing different from nearly every [...]

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Of Teachings Esoteric and Marriages Figaro (Box 15, Late Italian Operas)

May 13th, 2010 · No Comments · Antonio, Barbarina, Bartolo, Basilio, BBC Chorus, BBC Symphony Orchestra, Box 15: Late Italian Operas, Cherubino, Christina Clarke, Clifford Grant, Dalai Lama, David Lennox, Don Curzio, Felicity Palmer, Figaro, Il Conte di Almaviva, Ingvar Wixell, Jessye Norman, John Constable, K492, La Contessa di Almaviva, Le nozze di Figaro, Lillian Watson, Marcellina, Maria Casula, Mirella Freni, Mozart at 30, Paul Hudson, Prima Contadina, Robert Tear, Seconda Contadina, Sir Colin Davis, Susanna, The Marriage of Figaro, Trans-Siberian Orchestra, TSO, Vienna (April 29 1786), Yvonne Minton

If you want to scratch your head in bewilderment, try listening to a Tibetan monk explain the finer points of emptiness and form. Specifically, that emptiness is form and form is emptiness. And, for an even bigger kick, try listening to a Tibetan monk explain emptiness and form in Tibetan, with translation provided by his [...]

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