180 Days With Mozart And Me

A Survey Of The Philips Complete Mozart Edition…From Symphonies Through Theatre And Ballet Music

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Entries Tagged as 'Rome (April-May 1770)'

Of Plants and Linds (Arias, Vocal Ensembles, Canons, Box 12)

April 15th, 2010 · No Comments · 1783, Academy of St Martin-in-the-Fields, Box 12: Arias Vocal Ensembles Canons Lieder Notturni, Christiane Eda-Pierre, Dresdner Philharmonie, Eva Lind, Hans Peter Blochwitz, Jörg-Peter Weigle, Julie Kaufmann, K119, K178, K293e, K294, K295, K433, K435, K440, K580, K83, Mannheim (February 12 1778), Mannheim (February 24 1778), Mannheim (February 27 1778), Münchner Rundfunkorchester, Mozart at 14, Mozart at 22, Mozart at 26, Mozart at 27, Mozart at 29, Mozart at 30, Mozart at 33, Robert Lloyd, Robert Plant, Rome (April-May 1770), Sir Colin Davis, Stuart Burrows, Vienna (1782), Vienna (early 1782), Vienna (Early 1785-6), Vienna (June 1783), Vienna (September 17 1789)

I wish I could like this music. I know soprano Julie Kaufmann is considered one of the world’s finest. But her singing leaves me cold. There’s something about her timbre that doesn’t sooth me. She has the power I respect. She has the range I like. But her singing just doesn’t do it for me. [...]

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Of Monday Morning and Monster Men (Arias, Vocal Ensembles, Canons, Box 12)

April 12th, 2010 · No Comments · Box 12: Arias Vocal Ensembles Canons Lieder Notturni, Claes-Håkon Ahnsjö, Edita Gruberova, Edith Mathis, Francisco Araiza, Hanna Schwarz, K209, K210, K217, K255, K256, K272, K294, K295, K74b, K82, K83, Leopold Hager, Lillian Sukis, Lucia Popp, Mannheim (February 24 1778), Mannheim (February 27 1778), Milan (1770), Mozarteum-Orchester Salzburg, Rome (April 25 1770), Rome (April-May 1770), Salzburg (August 1777), Salzburg (May 1775), Salzburg (May 19 1775), Salzburg (October 26 1775), Salzburg (September 1776)

Tenors to the rescue! The first few tracks of this CD were painful to my ears. They were everything that frosts my cookies, all in one circular silver package: mediocre music and sopranos with warbly, screechy voices. (And not because they lack talent, either. It’s because of how Mozart wrote the music.) Vocal histrionics from [...]

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